Join us for an interesting afternoon in a relaxed atmosphere, with refreshments,
in the Co-op Education Centre, 11 Fore Street, Ipswich IP4 1JW
Plentiful parking at the rear, accessible from Waterworks Street.
Members and Friends free, non members £2.50.
Monday 29 April 2pm
Di Grace describes how she and Gwynneth Reynolds set about capturing memories of the East Anglian School of Painting and Drawing at Benton End, Hadleigh founded in 1937 by artists Sir Cedric Morris and Arthur Lett-Haines. A fascinating story recorded in their book Remembering Benton End.
Monday 20 May 2pm
As well as a pupil of Adolphe Valette at the Manchester Art School and Henry Tonks at the Slade, and then a teacher of Bridget Riley, Mary Quant and Tom Keating, this extraordinary man was also a professional singer and actor, boxer and Olympic medallist in wrestling. Come and hear more! Bill Crow is an art historian and entertaining speaker.
Artist Kate Bright gave us an insight into the development of her latest work, a commission by the Wivenhoe House Hotel to paint Wivenhoe Park in Colchester on the 200th anniversary of Constable's famous painting of the same subject.
“I grew up in Suffolk and, as a landscape painter, I am only too aware of Constable’s importance both as a ground-breaking Romantic painter but also as a local hero.”
Bright, who now lives in London, lectures in painting at The Slade School of Fine Art and specialises in landscape and the ideas of illusion and the desire for contact with the great outdoors.
Paul Bruce revealed how, through travels abroad, William Kent (1685-1748) came to play a leading role in establishing the Palladian style in this country. He designed the Treasury and the Horse Guards buildings in London and much of the interior of Houghton Hall, in Norfolk.
A polymath, he could turn his hand to painting, designing sculpture, architecture, interior decoration, furniture, metalwork, book illustration, theatrical design, costume and landscape gardens. Closer to home Christchurch Mansion in Ipswich holds many pieces of Kent’s furniture.
Glynn Thomas took us back to his days as an illustration and printmaking student at Cambridge School of Art in 1962 - 67 which led to his teaching printmaking at Ipswich Art School in 1967 - 79. He is now a full time artist and his distinctive work can be seen in galleries, institutions and homes all over the world.
Glynn gave us an explanation of the various print techniques he uses and a demonstration of fine etching. After a break for refreshments we had the opportunity to ask questions and see some of his latest projects.